Time-image rupture: cinema and the genesis of the thought in Deleuze
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Abstract
In the books Cinema 1 (1983) and Cinema 2 (1985), Gilles Deleuze described not one, but two disruptions of the sensorimotor system. In the chapter 7, of the second book, the author undertakes a retreta towards the genesis of thought in philosophy and cinema: what, in the images, forces cinema to think? The first rupture, concerning the movement-image, had already been conceived in Difference and Repetition (1968), as the shock that interrupts the extension of recognitions to give way to a non-representative thought. The second rupture, to which this article is primarily dedicated, concerns the breaking of the connection between man and the world, something that will force Deleuze to produce a philosophy of the unthinkable and impotence.
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